CREATION

Statement

Between Past and Present 
I sand lacquer as one excavates archaeological layers, building bridges between two domains that seem to oppose each other. I reveal the past buried within the layers of lacquer, drawing inspiration from our heritage unearthed by archaeology. I seek new ideas in this past, echoes of forgotten traditions that can enrich the present. Each gesture is an exploration, a quest for meaning between yesterday and today.

Between (Re)valorization and Novelty 
Under my hands, lacquer reveals the beauty of the surfaces it is applied to. Vegetable lacquer, in particular, allows me to give new life to discarded objects or materials that have become unusable. This process echoes the principle "Nothing is thrown away, everything is transformed," which guides both my professional and personal life. The preciousness of lacquer, a limited resource, reminds us of the need to value what already exists in a world overflowing with manufactured objects. Part of my work involves revaluing, making each surface precious through lacquer.

Between France and Japan 
My creations are an aesthetic blend of France and Japan. They highlight the duality between two cultures while finding a subtle balance between Japanese poetry and the technical precision of French craftsmanship. Each piece is a meeting between two worlds, where every detail tells a story of cultural blending.

Between Useful and Decoration 
My creations are sometimes decorative objects, sometimes everyday items, often both at once. They exist at the boundary between art and craft, between aesthetics and functionality. Each piece is designed to be admired as much as used, inviting reflection on the role of objects in our daily lives. I like to think that beauty can be both practical and inspiring, enriching our aesthetic environment in a tangible and meaningful way.